The thing about audiences is that we can't generalise them. It's very unfair.
I've lost audiences, I've recovered them.
I don't want to fail the audience. I don't want to let them down.
I am attracted to arguments that have a certain plausible originality to them.
The voiceless and most defenseless ones are the animals, so most of my attention goes to them.
I envy paranoids; they actually feel people are paying attention to them.
I like Sevilla's attacking style. That is why I chose them.
I'm so attached to Patsy and her crew, and to the adventures we've taken them on.
I build engines and attach wheels to them.
The atmosphere is so tense, if Elvis walked in, with a portion of chips... you could hear the vinegar sizzle on them.
Atlanta embraced us. We have so much respect for them, and they have respect for us.
Apple excels at taking existing concepts - computers, MP3 players, conceit - and carefully streamlining them into glistening ergonomic chunks of concentrated aspiration.
There are hardly five critics in America; and several of them are asleep.
Persons famous in the arts partake of the immortality of princes, and are upon a footing with them.
Of all the artists on Death Row, none of them went bankrupt.
England has collapsed politically, monetarily, constitutionally, and economically. It is not reasonable to demand from them to trigger Article 50.
All my football injuries now have arthritis in them.
Painting, n.: The art of protecting flat surfaces from the weather, and exposing them to the critic.
Arsenal are a special club for many French supporters. I watched them a lot, especially during the 'Invincible' era when they had Thierry Henry, Patrick Vieira, Sylvain Wiltord, and Robert Pires.
There are lots of big clubs, and having played for Arsenal, they are also one of them. It's a huge club, and I was there.