But I'm able to just keep going, and that's the challenge. It's the next song. And then just enjoying the shows and people who come out to the shows. It's pretty organic, really.
I've had an advantage; I've had a sort of open public acceptance in New York that doesn't happen to just anyone trying to make the transition you were talking about.
If something doesn't work, you have to admit it. Always try to find what's going right and what's going wrong with your music. If you can, pool your resources and record yourself; do that frequently.
There was just no way I could leave this little Martin guitar in my apartment overnight or even in the afternoon, and expect to find it there when I got back.
I'm still trying to make it. I'm still trying to get this over and do it and hopefully leave some kind of a mark on the course of American music, particularly in the tradition of what you might call the singer-songwriter.
So I played the acoustic guitar and harmonica and stomped my foot and I think I was right in assuming that Greenwich Village would be the best place to perform my own material and possibly get some attention, move on to making records and all.
I like getting requests from audience members.
I relate to the audiences and they know me. It's pretty real.
People can't stay out of their cars. I do think we have a real problem staying out of our automobiles. We have a real dependency on them, and it may be for more than just transportation.