I had to drop a boulder to wake people up about the A.R.T. We've done that, and now we have audiences again who want cutting-edge work, who want to be challenged, but who also won't be falling asleep at the theater.
The audiences are what keep me enthusiastic.
I think indie films are really important, because they show the studios and the audiences when they see them, great stories. Really interesting, small stories.
Always really good audiences in Belgium.
Whether I'm speaking to conservative or liberal audiences, I don't find that people are close-minded about the things I say. I'm still optimistic that we can bridge a divide between these various bubbles. But I do think that it requires a little bit of effort.
I noticed that 'Lost' had sort of worn out our welcome; because of 'Lost,' audiences were no longer being patient with slow reveals: they wanted answers quickly, and they wanted story to develop much faster.
I'm excited for the audiences to hear the title track, 'Cheers to the Fall,' plus 'Red Flags' and 'Rearview.'
I'm always making movies for my audiences, but I'm not trying to meet their expectations.
The world is changing so quickly, and actors now have this huge platform of social media to interact with their audiences, but I choose not to have a social media footprint. I'm old-school like that.
Foreign revenues are tremendously important, but foreign audiences are dying for American movies, not for films they could make themselves.
I'm sure the audiences will connect with 'Yeh Hai Aashiqui,' as it will feature stories inspired from real life.
I like audiences and performing and, you know... applause!
Iago is one of the most liked characters in Shakespeare's canon, and he's the most evil, most extraordinarily manipulative person in history. He says the worst, most politically incorrect things, even for the time the play is set in - and yet audiences adore that character.
The white audiences thought I was white, my features being what they are, and at every performance I'd have to take off my gloves to prove I was a spade.
I'm obsessed with media and the way audiences can become creative participants.
I tell public audiences, don't go to a podiatrist for brain surgery; don't go to an astronomer for planetary science.
Many theaters are tackling the multifaceted work of black writers - established and emerging. Now the next step is for them to bring in audiences of color and continue to go out to our community and create a continuous connection that extends beyond the one black show in the season.
Then I realized my early work did have something special that audiences adored apart from what I humbly thought about them. They occupy a distinguished niche in Italian film history and probably always will.
Audiences always sound like they're glad to see me, and I'm damned glad to see them.
Audiences still crave storytelling.